Bobby Garcia, a prominent figure from South Jamaica, Queens, has recently addressed the ongoing speculation regarding 50 Cent’s tumultuous history with the neighborhood and its residents. In a candid interview, Garcia, known for his connections in the music industry and his affiliation with The Lost Boys, discussed the rapper’s past and the implications of his lyrics, particularly those that mentioned Garcia himself.

Garcia began by introducing himself and sharing his roots, detailing his journey into the music business through Universal Records and the camaraderie he built with fellow artists. He emphasized his dedication to the South Jamaica community, stating, “Southside is mine, I’m home,” highlighting his loyalty to the area and its culture.

Throughout the interview, Garcia delved into the early days of 50 Cent, recalling how the rapper was once closely connected to the streets. He reflected on 50 Cent’s hit song “I’m So Hood,” revealing that his late cousin, J, had informed him of a diss directed at Mr. Cheeks, a member of The Lost Boys, and indirectly at Garcia himself. “I told J like, literally, you know this all my kids, I told J, yo tell fifth I’m not coming at him because we in the streets for real,” Garcia said, emphasizing the respect that exists among those who grew up in South Jamaica.

The conversation shifted to the infamous “Beg for Mercy” album, where 50 Cent took shots at Garcia and Cheeks. Garcia expressed his surprise at the diss, noting that while 50 Cent had achieved significant success, there was a lack of unity among artists from the same neighborhood. “If this was Atlanta, and the hospitality like Atlanta, everybody stick together,” he remarked, pointing out the need for solidarity among Queens artists.

Garcia also recounted his experiences with 50 Cent, sharing personal anecdotes that illustrated their past interactions. He recounted a time when 50 Cent made a surprise shoutout to him and his crew during a performance, showcasing a moment of acknowledgment amidst the ongoing tensions. “He shouted us out in front of his whole team,” Garcia recalled, expressing a mix of pride and disappointment at the lack of continued support from the rapper.

When asked about 50 Cent’s controversial lyrics that referenced street life and his past dealings, Garcia clarified his stance. “You can hide history but you can’t erase it,” he said, reflecting on the complexities of their shared past. He urged 50 Cent to remember his roots and the community that shaped him, suggesting that the rapper should extend his success back into South Jamaica

Garcia’s insights also touched on the relationship between 50 Cent and notable figures like Supreme McGriff, emphasizing how the rapper’s rise to fame did not come without its challenges. He noted that while 50 Cent had distanced himself from certain elements of his past, the repercussions of those decisions still resonate within the community.

In conclusion, Bobby Garcia’s reflections serve as both a reminder of the strong ties that bind the artists of South Jamaica and a call for unity among them. His narrative offers a glimpse into the complex dynamics of street culture, the music industry, and the ongoing legacy of those who have navigated both worlds. As Garcia asserts, the importance of community and respect must prevail, no matter the heights of success one may achieve.