In a recent interview, Katti, the brother of the late rapper Mo3, shared his thoughts on the ongoing feud surrounding his brother’s legacy, particularly in light of a new diss track titled “Shirt” by Freddy Krueger, also known as Trap. The song is part of a larger trend that has seen Freddy, a known adversary of Mo3, release music that targets the deceased rapper since Mo3’s tragic death in 2020.

During the interview with Real Life Street Stars, Katti addressed the provocative nature of tracks like “Shirt,” which reference putting people “on a shirt,” a phrase often associated with violence and death in the rap community. Katti pointed out that Freddy has capitalized on the situation, having produced multiple tracks that draw on Mo3’s life and legacy. “He went to the most funerals; he’s going to make that song,” Katti said, alluding to Freddy’s prolific output since Mo3’s passing.

Katti acknowledged that Mo3 was known for his own disses and that he would have likely responded similarly had roles been reversed. “Nobody dissing harder than three,” he stated, emphasizing that Mo3’s lyrics resonated deeply with those who were familiar with the realities behind them. He expressed a nuanced understanding of the diss track phenomenon, noting that while he personally does not condone the approach, it is part of the rap culture where rivalries often manifest in music.

Freddy’s recent album, which features multiple tracks aimed at Mo3, has achieved notable success, charting higher than any of his previous works. Katti described this as a phenomenon akin to the “Drake Stamus package,” suggesting that the controversy surrounding Mo3’s legacy has significantly boosted Freddy’s visibility and streaming numbers. However, Katti also remarked that despite the catchy nature of some of these diss tracks, the emotional weight and context behind Mo3’s music set it apart.

As Katti continues to navigate the complex landscape of grief and rivalry, he has also been making strides in his own musical career. His recent audio release garnered significant attention, with thousands of views and likes shortly after its debut. Katti’s commitment to keeping his brother’s memory alive through his own music appears to be a driving force in his artistic endeavors.

In conclusion, the discourse surrounding Mo3’s legacy remains heated, with diss tracks like Freddy’s “Shirt” sparking reactions from family members and fans alike. Katti’s insights not only shed light on the ongoing rivalry but also highlight the broader implications of how artists navigate legacy, loss, and the music industry’s often ruthless competitive nature. As he pushes forward in his own career, Katti remains a voice for Mo3’s enduring impact on the genre, even in the face of adversity.